It sounds like the whole stereo image kind of shifts to the left a little bit.
There’s also a kind of subtle stereo image shift on Howie’s master. I mean, I really like what Howie did tonally to the mix. It just sounds more three-dimensional and kind of larger than life. So to my ears, it sounds like Howie kind of added a little bit of top-end air it has a little bit more of a scoop to it, so maybe there was some kind of midrange that was sucked down. ♫ On and on, oh meet me at the border ♫ I will meet you at the border ♫ Oh, meet me at the border ♫ I will meet you at the border ♫ Of Joshua ♫ So I’m going to play this and just flip back and forth so you can hear kind of a real-time comparison between these two. ♫ On and on, oh meet me at the border ♫ I will meet you at the border ♫Īnd now I just want to flip back and forth between these. So let’s take a listen to Howie’s master next. ♫ And on and on ♫ Oh, meet me at the border ♫ I will meet you at the border ♫ Oh, meet me at the border ♫Ĭool. And I’m just going to play you a little bit of the chorus. So, let’s take a listen first to my original mix. And I’ve level-matched everything, so there’s no difference in level when we flip back and forth between these different versions of the mix. So we have them all right here and we can kind of flip back and forth between them and compare them. And then we have the LANDR-mastered version of that original mix. Then we have Howie Weinberg’s mastered version of that original mix.
And if you take a look, you’ll see we have my original mix so this is basically my finished mix before it was mastered. Okay, so we have a couple different versions of a song here called “Joshua,” by artist Leah Capelle. And so I brought everything into my DAW, and level-matched it all, and we’re going to jump in and I just want to compare everything so you can get a sense for what the differences are between my original mix, and Howie’s master, and then the LANDR version of the mastered mix. And so I had him master this, and then I also sent the same mix to LANDR. And actually, this mix was mastered by an incredible mastering engineer, Howie Weinberg. So what I did was, I took a mix that I recently did for one of my clients, Leah Capelle. And, I wanted to just try it out and see how it compared to the kind of tried and true approach of hiring a mastering engineer like I’ve been doing for years.
#Landr mastering time download#
You basically upload your tracks to this service and it automatically masters them, and then it allows you to download them instantly. So, it doesn’t use human beings on the back end it’s driven by an algorithm. Now, if you’ve never heard of LANDR before, it’s basically an online, automated mastering service.
#Landr mastering time free#
So, to download this, just click the link in the description below or in the video, and you’ll get free instant access.
#Landr mastering time pro#
So, this checklist will help you prepare your tracks for mastering, whether you’re sending them to LANDR, or another online service, or a pro engineer, just to make sure you get the most out of the mastering process. Now before we dive in, if you’re looking for more, I also put together a free pre-mastering checklist. So, if you’ve been thinking about using LANDR to master your tracks, this video is going to help you decide whether or not this is a good choice for your music. Hey, this is Jason Moss from, and today we’re going to take an in-depth look at LANDR. Keep watching to hear the surprising results. But is it any good? I compared it with a Grammy-winning mastering engineer to find out. LANDR offers automated online mastering at a fraction of the cost of hiring a pro.
0 kommentar(er)
